EU Supports Research and Innovation for Cultural Heritage.
OREANDA-NEWS. The economic benefits of cultural exchanges are too often overlooked. Global trade in creative products has more than doubled between 2004 and 2013, despite the global recession. Culture is a central element in the new economy driven by creativity, innovation, digital dimension and access to knowledge. Cultural and creative industries represent around 3% of global GDP and 30 million jobs. In the EU alone these industries account for more than 7 million jobs. In developing countries, UNESCO's Culture for Development Indicators (CDIS) show that culture contributes 1.5% to 5.7% of GDP in low and middle-income countries.
The available data both in developing and developed countries indicate that the cultural sectors may account, depending on the country and scope, for 2% and 7% of GDP respectively, which is more than many other traditional industrial sectors.
The EU strategy for international cultural relations should therefore also become a strategy for inclusive growth and job creation.
Cultural heritage is an important manifestation of cultural diversity that needs to be protected. Rehabilitating and promoting cultural heritage attracts tourism and boosts economic growth. There are many opportunities for joint action with partner countries to develop sustainable strategies for heritage protection through training, skills development and knowledge transfer.
The EU supports research and innovation for cultural heritage. The Commission will contribute to international efforts for the protection of cultural heritage sites and will consider a legislative proposal to regulate the import into the EU of cultural goods. It will also propose to the European Parliament and the Council of the EU to organise a European Year of Cultural Heritage in 2018.
Could you give concrete examples of projects to be carried out under the new Strategy?A pilot project has just been launched to create a global platform (p.13) gathering networks of young cultural entrepreneurs from Europe and partner countries to facilitate exchanges between them. The Creative Europe programme, the main EU financial instrument for culture, is open to neighbourhood and enlargement countries, and the Commission encourages them to join.
The 11th EDF Intra-ACP programme (p.6&7) will support the contribution of cultural industries to the socio-economic development of ACP countries. Another initiative will be launched on intercultural dialogue including local authorities, funded under the Development Cooperation Instrument (DCI).
In the South Mediterranean, the EU will continue to support the Anna Lindh Foundation (p.11), including the second phase of the Young Arab Voices programme (now enlarged to the EuroMediterranean region) to deepen the dialogue between young leaders and civil society representatives and develop counter-narratives to extremism and violent radicalisation.
In the Eastern Partnership (EaP), the "EaP Culture Programme Phase II" is supporting the cultural and creative sectors’ contribution to sustainable humanitarian, social and economic development. At the same time, the "Community-Led Urban Strategies in Historic Towns" project seeks to stimulate social and economic development by enhancing cultural heritage in 9 historic towns in Armenia, Belarus, Georgia, the Republic of Moldova and Ukraine.
The new Strategy will allow the targeting of specific regions or countries with appropriate actions. For example, the EU Cultural Diplomacy Platform is now exploring possibilities of cultural cooperation with Iran, in particular in the field of cultural heritage. Other ideas are being explored, such as the opening of a House of European Culture in Tehran. Similar projects are being considered for Ukraine.
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